IBC 2018 Rewind: Daniel Tegeland (Brickland) – Reverse Engineering & 360° Animation Workflows
IBC 2018 Rewind: Ubereck – Design & Animation for Tropfest and some other Projects
IBC 2018 Rewind: Matthias Winckelmann (foam Studio) – The MakingOf of “Influencers”
IBC 2018 Rewind: Leon Tukker – Experimental Workflows for Concept Art and Illustration
IBC 2018 Rewind: Bob Walmsley (Insydium) – X-Particles: Harnessing the Power of Real World Physics
IBC 2018 Rewind: Elise Tak – Digital Painting with Cinema 4D
IBC 2018 Rewind: Nebula Studios – Don’t Feed These Animals and other Projects
IBC 2018 Rewind: Neil Stubbings – Looney Shaders
IBC 2018 Rewind: Matthias Zabiegly (Aixsponza) – Design Direction for Film, TVC & Online
IBC 2018 Rewind: Dušan Vukčevič (Vudumotion) – Photorealistic Animations in Cinema 4D
IBC 2018 Rewind: Nick Lyons (Territory Studio) – Re-imagining the Milano: Space Avionics
IBC 2018 Rewind: Robert Hranitzky – VFX & Motion Graphics with After Effects and Cinema 4D
IBC 2018 Rewind: Lanz Short (Green Hippo) – 3D Content Mapping for Immersive Environments
IBC 2018 Rewind: Lars Scholten (CyBear) – CG Pipeline around Cinema 4D and Popular Plug-ins
IBC 2018 Rewind: Darek Zabrocki (Focal Point School) – Future of Education in Concept Design
IBC 2018 Rewind: Barton Damer (AlreadyBeenChewed.tv) – Launch Products with Cinema 4D and Redshift
IBC 2018 Rewind: Jonas Pilz (Maxon) - Cinema 4D MoGraph: Motion Graphics Made Easy
IBC2017 Rewind: Simon Fiedler – SCHISM / Making Of
FMX 2018 Rewind: Can Erduman - Making of the Lego News Show International
Daniel's Animation Classics
